Podcast: Bringing Brands to Visual Life
Sunday, November 16, 2008 at 02:55PM My interview with social media coach and speaker Anna Farmery of The Engaging Brand is now live. I can tell you this much; I had a blast talking with Anna.
The podcast, Bringing Brands to Visual Life, is about 24:00 in length...perfect for home, the office or the car. Anna's energy really kept things alive and moving!
I had the pleasure of meeting Anna at the Blogger Social earlier this year. Her blog is ranked in AdAge's Top 100 and is considered a "must read leadership" blog.
Thank you, Anna, for inviting me on to The Engaging Brand show!
I hope y'all enjoy it! :-)
---Tom
The Hero’s Journey Pt.1: Corporate Video Storytelling
Thursday, November 13, 2008 at 07:16PM "Whoa! Those are some lights!"
9 out of 10 times that’s what the “hero,” or the person being filmed on video, will say when they walk on to the set for an interview.
A feeling of excitement is in the air. Something fun, adventurous and different is about to happen.

Have you ever been interviewed on-camera?
If you haven’t, one thing’s for sure. It’s definitely not your typical day in the office.
Imagine. You’re an employee. You have a particular point of view. You’re passionate. You have a story to tell. And you've been asked if you'd like to be in your company video. You jump at the chance!
Tape is rolling. You're having a lengthy conversation while bright lights surround you. Crew members are watching closely. You’re not sure what questions are coming next. You’re editing your thoughts making sure you say the “right” thing. How do you think you’d be feeling? A bit nervous? You bet!
But something spectacular happens right after the conversation
The “hero” feels differently. More alive. Empowered.
What just happened in that hour? They shared part of their story. They shared their point of view. I believe they experienced what Joseph Campbell spent much of his life teaching and sharing with us: “The Hero’s Journey.”
Heroes are participating in more than just an interview
I like to call the people I’m talking to in a video, “heroes.”
Appearing on-camera is a heroic act
Most of us usually go through life without having to appear on-camera; it’s just not a natural part of our everyday routine.
But let’s face it.
Being interviewed for your company’s video isn’t exactly like being in Star Wars
Although, for most people, it is a new and exciting journey. They leave their comfort zone, engage in a new adventure, and return to the office thrilled to share their excitement in getting to tell their side of the story. They get to share ideas that usually remain tucked away. Now they have a chance to share it in a conversation for a video.
Being interviewed is like the "hero's journey"
Changing the language from “interview” to “conversation” and “journey” relaxes everyone’s expectations and opens up opportunities for emotional surprises. What often happens is a sharing of personal points of view. The hero’s emotions move quickly from status quo to nervousness to excitement and wonder.
3 steps to the hero’s journey
While there are many steps in the traditional “hero’s journey,” for our purposes we’ll keep things simple with the three classic steps:
- The Separation
- The Initiation
- The Return
The Separation
In your company’s video, the hero gets “the call to action”to appear on-camera. They leave their status quo, their “home” and comfort zone. They begin a venture into new territory. In a company video, the hero is as simple as discovering your best storytellers; from employees, to customers,vendors, volunteers, etc.
The Initiation
Lightsabers and monsters on the company set? Well, not exactly.
But the hero will certainly feel challenged simply from experiencing something so different, right from the moment they enter the room or set. While filming is under way, the conversation can take any number ofsurprising and fun turns from personal stories and perspectives to new opportunities imagined for employees and the organization. A good interviewer will ask thought-provoking questions to create an emotional connection with the viewer. New territory, indeed.
The Return
In the classic hero’s journey myth, the hero returns to common life and shares their newly gained knowledge to others. This happens often if I catch up later on with the heroes I’ve interviewed . They express deep thanks for the opportunity to tell their story and share their perspective on what matters most to them. Somehow, their lives have changed, even if things “appear the same.” The journey took place inside, not outside.
How do you prepare yourself and the hero for “the departure,” the video interview?
Do you cross your fingers and hope they say the right things? What happens if someone freezes up and they won’t talk? I'd love to hear from you!
I’ll share a few tricks both you and your hero can use to create a comfortable on-camera journey.
The next three posts will explore ways to prepare, capture and tell a hero’s story through having a conversation.
P.S. Originally posted on my FastCompany.com column, "Let's See That Again!"
Video Storytelling Toolkit: Getting Your Company’s Story on Screen
Thursday, November 6, 2008 at 06:16AM Seen enough videos by now? How can you avoid it? They’re everywhere.
Not only that, you probably feel like you’ve seen so many videos you could easily produce one for your organization, right?
So imagine this.
Management just told you and your team to get a video done for the company. Lots of eyeballs will be on this one.
• What are you going to do?
• Where do you turn for help?
• How does the video process work?
• Is there a quick reference to help you?
What’s missing is a video storytelling guide.

Clients don’t usually produce videos often so they need a coach. A “story sherpa.” A guide to help you discover your organization’s story and capture it on video.
Getting the story out of your head and on to the screen.
To help clients get started in the video storytelling process, I published a 24 page manifesto and collaborated on two other eBooks. All three publications were designed specifically to ignite your imagination and create awareness about the possibilities your organization’s video story can have.
What exactly is the video storytelling toolkit?
I’ll first tell you what it’s not.
• It is not about how to make a video.
• It’s not technical.
It is about discovering the power of story.
It’s a series of three eBooks (yes, they're free) that will inspire you to think differently about telling your story through video. By raising your awareness of what’s possible, you can make the right choices to the heart of your story.
Guide #1. ContentWise: Corporate Video 101
• How do you measure your video’s impact?
• Do you know how to work with a producer? (featuring yours truly!)
• Should you hire an in-house producer?
• How do a craft a basic script?
• Are you ready to produce your own video?
Guide #2. Ask(?)Way: Take Your Brand from Commodity to Community
• How do you find and retain talent using the power of video?
• What is the role of management in the creation of a video?
• How to use video to expand your community.
• Using documentaries as a source of inspiration.
Guide #3. ChangeThis Manifesto: Bring Your Brand to Life! Harnessing the Power of Remarkable Corporate Video Stories
• What are the five myths of corporate videos?
• 10 reasons why corporate videos matter.
• What are the two biggest dips in every organization’s video?
• 6 ways to make your video pop!
There you go. Your own video storytelling “toolkit.” Make sure you download these beautifully designed PDF’s and keep them handy. You will find these guides helpful and inspirational while providing you encouragement to capture authentic and meaning films for your organization.
What do you think? Is there something not covered in the books that you’d like to see in the future? Did any part of the material spark an idea?
P.S. Originally posted on Tom's FastCompany.com column, "Let's See That Again!"
My Story Part of The "Story Practitioner" Project
Tuesday, November 4, 2008 at 09:21AM It's probably fair to say we often don't get a chance to tell our story to others.
I mean the full story; not the sound-bite version
Twitter, blogging and micro-blogging are all the rave but it makes getting our full story told a bit difficult, ey?
My story is part of the "Story Practitioner" project
If you're interested in knowing more than just me as a filmmaker, it's on Kathy Hansen's site, A Storied Career, as part of her series called "Story Practitioners."
As part of the project, I was asked to answer five Q&A's that taken together reveal how I got where I am today and what I value.
Kathy's website explores a wide variety of storytelling forms in media, careers, journalism, blogging and more. It's one of my favorite sites because she discovers the most unique findings on story anywhere.
A few things covered in my story...
- Spiritual masters influential to my thinking
- Responsible corporate video storytelling
- The day my rock 'n' roll dream vanished
I want to give a Kathy a huge "thank you" for inviting me to participate. It was a blast!
1. How did you initially become involved with story/storytelling/narrative?
What attracted you to this field? What do you love about it?
2. What people or entities (such as Web sites, blogs, books,
organizations, conferences, etc.) have been most influential
to you in your story work and why?
3. How important is it to you and your work to function
within the framework of a particular definition of "story?"
(i.e., What is a story?) What definition do you espouse?
4. You've written recently about "responsible corporate video storytelling."
Why is that important, and how does storytelling fit in?
5. Many practitioners agree with the idea that corporations need to tell their stories, but not that many of them are doing it with video. In your view, why is video important to the equation? Are you seeing other uses of storytelling in video that excite you?
Age of Conversation: Take 2
Wednesday, October 29, 2008 at 08:05AM Big news, folks!
The second edition of the "Age of Conversation: Why Don't They Get It?" is finally published and available for purchase. It's available in hardcover, softcover and as an e-book.
My chapter is under the manifesto category: "It's That Simple: How smart people in smart companies use real video stories to create real emotional connections."
The book features 237 authors, marketers, bloggers and writers from 15 countries. The project (and, wow, what a project it is!) has been spear-headed by Gavin Heaton and Drew McLellan. If you're not familiar with them, don't dilly dally...put them on your radar.
So what's inside the AOC2? Here's a peak at the different categories:
- Manifestos
- Keeping Secrets in the Age of Conversation
- Moving from Conversation to Action
- The Accidental Marketer
- A New Brand of Creative
- My Marketing Tragedy
- Business Model Evolution
- Life in the Conversation Age
These two books are simply remarkable in that they are the first ever, virtually collaborated, independently published books.
OK. I'll stop writing. You go buy this book. You'll be glad you did. :-)
P.S. Just like the first edition, the proceeds for the second edition go to Variety, the children's charity.
Isn't the Problem Defining a Solution?
Monday, October 27, 2008 at 08:11PM Ultimately, yes.
But first, it's about defining the problem.
Let's say you're starting a new video project. You might be solving the wrong problem by spending too much time on the solution (the video) and not enough time defining the problem. Then you might wind up with a mismatch on your hands. Oops!
For most of us, it's a lot easier to jump to solutions, isn't it?
"Let's do this." "Let's do that."
Defining the problem accurately may be more challenging than coming up with solutions; and it takes more time.
What does this have to do with your video story?
During initial conversations with your filmmaker, the solution may get a lot of attention.
It's tempting to focus on the solution
It's natural. It's like someone is focusing the spotlight on the "solution" while the "problem" goes wandering off the stage. And yes, I still fall into that trap, too. :)
Solutions are solutions because they solve a specific problem
Seems obvious, but you can't create a solution until the problem is clearly defined.
Move off the solutionIf, at the beginning of a project, you find yourself focusing more time on the solution than the problem, move off the solution. Ask yourself: "What exactly is the problem I'm trying to solve?" Defining the problem clearly gives you a direct path to your solution.
The problem isn't defining the solution.
The problem is defining the problem
Then the solution is right around the corner. :-)
What do you think? Do you first start with solutions? Or do you start with defining the problems? What works for you? Drop me a note.
Isn't The Problem Defining A Solution?
Are You Using Your Ears to See Your Company’s Video Story?
Monday, October 20, 2008 at 09:02PM You might not believe this, but video isn’t everything.
The fact is, until you discover your company’s story first, video doesn’t mean much.
One of the secrets to discovering and eventually “seeing” your company’s video story before you produce it is by first “hearing” it.
There are five common ways to imagine your video story through sound:
1. Interviews
2. Themes
3. Hooks
4. Feelings
5. Ambiance
The ears have it.
Let’s say you’ve recently been commissioned to produce a recruiting video. You bend over backwards determining what your company’s video story will look like.
Your team begins picturing everything they want to show in the film; the general facilities, people, training rooms, classrooms, call centers, weekly team meetings and so forth.
Then you hit a wall.
You realize seeing the scenes do not tell your story. What do you do? Do what I do.
Forget about the video.
Forget about the visuals. Forget about the scenes. Forget what it will look like.
Think about the sound.
Imaging the sounds you want to hear in your video is a powerful technique that puts you on the road to developing your company’s story or message.
Here are five ways you can “see” your company’s video story by first imagining the sounds you “hear.”
5 Ways to See Your Company’s Video Story by Imagining Sounds
#1 - Imagine hearing the interviews
Since interviews are the backbone for most corporate videos, write down phrases or points you are hearing from the interviewees, or “heroes” as I call them, in your film. Imagine hearing the answers to these 11 stimulating questions. Once you capture these ideas, you might be at the heart of your message.
#2 - Imagine hearing the themes
What topics will your heroes talk about if you were to interview them? What themes come up? Customer service? Performance metrics? Mentoring? Training? Culture? Career advancement? See what common themes reoccur to help you decide what to address. You might think about using themes that are less frequently shared.
#3 - Imagine hearing the” hook”
Here are a few questions to help think about your “hook;” the thing that gets your audience to pay attention!
• What is that “thing” that first made you think you might have an interesting story?
• Why would someone else care?
• What unique comments do your customers keep telling you?
• What myth do you want to crush?
• Do employees have a common thread in their conversations?
Any of these are signals pointing to your potential hook. The hook is already there. All you have to do to catch it is to keep an open mind!
#4 - Imagine hearing the feelings
An engaging interview can easily capture emotions that are otherwise difficult to share. What emotions do you want to hear? Joy? Frustration? Hope? Inspiration? Confidence?
#5 - Imagine hearing the ambiance
NPR uses atmospheric sounds for business stories better than almost anyone. Their ambient sounds have a “take you there” quality. Pay close attention to the sounds surrounding you. How can you use different sounds to tell part of your story? For example, are there sounds of people teaching one another? Helping one another? Is music part of your story? Are there mechanical or technical sounds? Animal sounds? Nature sounds?
There you have it. Five simple ways to “see” your video story a bit differently. All it takes is a little imagination!
P.S. You may find NPR’s book, Sound Reporting: The Guide to Audio Journalism and Production a nice addition to your library.
---Tom
Originally posted on Tom's FastCompany.com column, "Let's See That Again!"
7 Habits of Highly Effective Corporate Video Clients
Tuesday, October 14, 2008 at 08:38PM So you’re ready to rock ‘n’ roll on your next video project, right?
Budgets are approved. Management is on board. They bought your vision.

Whoa! Not so fast.
You and your team may think your ducks are all lined up. But are they really?
Is your team on the same page?
I mean both teams. Don’t forget, you have two teams: one at work and the team capturing your video story. I bet you can imagine the disaster when two teams aren’t in sync. Ouch!
What habits contribute to smooth running productions?
How do you, as a client, keep two teams in sync? What few habits can you practice that will ensure your project run smoothly for both teams?
As I thought more about this, I wondered where I could go to get another opinion. I went to where the rubber hits the road. Where every show finally ends up: in the edit room.
With a cup of tea in hand, I stopped by the edit room and asked my editor this simple question: “What habits do you consistently see in clients and our video team that contribute to creating successful, smooth-running projects?”
Here’s a short list summarizing our conversation. It is certainly by no means complete, but the essentials are here and it will get you thinking before the camera rolls.
7 Habits of Highly Effective Corporate Video Clients
1. Discover interesting storytellers.
No matter what your message is, you can “breathe life” into your video with interesting storytellers. Sharing several points of view from interesting people tells a story that can instantly capture the imagination of your audience. Different points of views also adds dimensions to your message that would otherwise be flat and monotone.
A word of advice. It’s easy for politics to determine who appears on-camera. If you take this course, remember you may wind up with people on-camera who aren’t necessarily sharing a point of view your audience needs to know or even cares about.
2. Check your ego at the door.
Is your message bigger than yourself? I bet it is. Then remember your audience. There’s only one person you need to touch. If you can touch one person, in doing just that, you can effectively touch dozens, hundreds or thousands. It’s not about you. It’s about them.
3. Get all conversations transcribed with time-code.
Transcripts = Efficiency = Cost Savings.
I shared this tip in an earlier post, "7 Sure-Fire Steps for Creating Your Company’s Documentary" but it's worth repeating.
Interviews that don’t get transcribed can potentially waste hours in the edit room (at a substantial cost). The reason? Sound bites take time to find from the original tapes. Finding sound bites that could have been done for free before the edit begins winds up costing you money during the edit. Ouch!! I’ll say it again in bold type: get all interviews transcribed with time-code stamped every 30 seconds.
4. Create a script from the transcripts.
Now that you have transcripts from all your interviews, you can start crafting a narrative; your story. Once you put a draft script together, you might discover a few “holes” in your message. Perhaps you need to write a little narration. If so, keep it to a minimum! The “voice” of the film is told through your “heroes,” your storytellers. Too much narration distracts from the “personal voice” you are creating.
5. Lead by sharing a clear vision.
Your story needs a leader. Someone who can take your company’s team and guide them through the process of getting the vision onto the screen. Perhaps that leader will be you. Now add to the mix, you’ll also have a director and/or producer on the project. Sharing your vision with clarity to your “second team,” the production team, is just as critical, if not more so, than your internal team in capturing your message accurately. Lead clearly.
6. Talk more. Email less.
You just sent an email to your producer. You assume they received it and are acting upon your request.
Ooops. Their email is down. Uh-oh. And you never followed up on the phone. Now what?
Try this method instead. This model works extremely well and my clients love it.
First, I have conversations on the phone. The conversation is immediate. There’s a give-and-take, a “dance” that happens. Things get resolved and acted upon quickly. Then, if necessary, we follow-up by email. But here’s the difference. Now both parties know what to expect if email is required as a follow-up. The guesswork is eliminated. Remember: your video story is a co-creation. It’s a dance. Not a one-way street.
7. Think about how you want to make people feel.
It’s not so much about being right or wrong. It is about what feels authentic; true to your message and story. A video story does not have a balance sheet. It has a heart. If you combine your images, sound and story in an engaging way, it will touch people’s emotions, even at the most basic level. Your mantra throughout the entire process should be, “How do I want to make people feel after they see our film?” Answer that question. Write it down in a few words. Tape it on the cover of your project binder. Bingo. It becomes your internal compass.
There you go. “7 Habits” to help you simplify your journey through the story process. I can think of several more that I left out.
What did I miss? What are some of your habits that you’d like to share? What would you change? Drop a note in the comments section. Thanks!
---Tom
















